and everthing crooked will become straight, 2016.



WRITING


Ongoing
Editor of DOWSER, notes on artists’ moving image in Scotland (Glasgow: Transit Arts, 2020–)
2024
“Notes on Percetion (looking out for a place to go)”, Bobbi Cameron and Owain Train McGilvary: I’m attended as a portal myself, Glasgow International, 2024
2023
“Ruinous Collage: Lis Rhodes’ political archivism”, Unravelling Times, The Hunterian Art Gallery (Glasgow, 2023)
2022
“Cruising Oblivion: Tim Leyendekker’s Feast (2021)”, Square Eyes (Vienna, 2022)

“Mandy McIntosh’s Fair Creature (2004)”, contribution to the British Art UnCanon (London, 2022)

“Tree Huggers, Space Cadets: Conversations with a Forest and non-human collectivity”, MIMC 001 (Hawick: Moving Image Makers Collective, 2022)

2021
“An artery: on Anne Marie-Copestake’s A love (2019)”, LUX Scotland (Glasgow, 2021)

“On Some Conditions Facing an Early Career Curator”, British Art Network January 2021 Newsletter, Paul Mellon Centre & Tate (London, 2021)
2017
“Live action allegory construction, edited” in Curatorial Studio, Living Out Ideas (Glasgow, 2017), available at Good Press