and everthing crooked will become straight, 2016.


Editor of DOWSER, notes on artists’ moving image in Scotland (Glasgow: Transit Arts, 2020–)
Cruising Oblivion: Tim Leyendekker’s Feast (2021), Square Eyes (Vienna, 2022)

Mandy McIntosh’s Fair Creature (2004), contribution to the British Art UnCanon (London, 2022)

Tree Huggers, Space Cadets: Conversations with a Forest and non-human collectivity, MIMC 001 (Hawick: Moving Image Makers Collective, 2022)

An artery: on Anne Marie-Copestake’s A love (2019), LUX Scotland (Glasgow, 2021)

On Some Conditions Facing an Early Career Curator, British Art Network January 2021 Newsletter, Paul Mellon Centre & Tate (London, 2021)
“Live action allegory construction, edited” in Curatorial Studio, Living Out Ideas (Glasgow, 2017), available at Good Press