and everthing crooked will become straight, 2016.
WRITING
Ongoing
Editor of DOWSER, notes on artists’ moving image in Scotland (Glasgow: Transit Arts, 2020–)
2023
“Ruinous Collage: Lis Rhodes’ political archivism”, Unravelling Times, The Hunterian Art Gallery (Glasgow, 2023)
2022
“Cruising Oblivion: Tim Leyendekker’s Feast (2021)”, Square Eyes (Vienna, 2022)
“Mandy McIntosh’s Fair Creature (2004)”, contribution to the British Art UnCanon (London, 2022)
“Tree Huggers, Space Cadets: Conversations with a Forest and non-human collectivity”, MIMC 001 (Hawick: Moving Image Makers Collective, 2022)
“Mandy McIntosh’s Fair Creature (2004)”, contribution to the British Art UnCanon (London, 2022)
“Tree Huggers, Space Cadets: Conversations with a Forest and non-human collectivity”, MIMC 001 (Hawick: Moving Image Makers Collective, 2022)
2021
“An artery: on Anne Marie-Copestake’s A love (2019)”, LUX Scotland (Glasgow, 2021)
“On Some Conditions Facing an Early Career Curator”, British Art Network January 2021 Newsletter, Paul Mellon Centre & Tate (London, 2021)
“On Some Conditions Facing an Early Career Curator”, British Art Network January 2021 Newsletter, Paul Mellon Centre & Tate (London, 2021)
2020
“Stemming the Flow: The Lake and The Lake / Land Underwater”, Open City Documentary Festival (London, 2020)
“Seizing the means of projection: thirty years of artists’ moving image exhibition in Glasgow”, MAP Magazine, #56: Staying Close (Glasgow, 2020)
“What good is sitting, alone in your room?: Black box, white cube, and the grey zone of artists’ moving image”, Institute of Contemporary Arts (London, 2020)
“Seizing the means of projection: thirty years of artists’ moving image exhibition in Glasgow”, MAP Magazine, #56: Staying Close (Glasgow, 2020)
“What good is sitting, alone in your room?: Black box, white cube, and the grey zone of artists’ moving image”, Institute of Contemporary Arts (London, 2020)
2019
“AGAINST DIALOGUE, OR, WE NEED TO SING TO MOUNTAINS: Notes from the 15th Berwick Film & Media Arts Festival”, MAP Magazine, #54: …Beneath High Libra (Glasgow, 2019)
2018
“Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape”, MAP Magazine, #48: Together We Will Have A Lot of Fun (Glasgow, 2018)
“Flashing Green: Notes on Post-Nature, the 11th Taipei Biennial”, Videoclub (2018)
“‘DO YOU REALLY JUST WANT TO BE PART OF A BAND?’: Notes from the 14th Berwick Film & Media Arts Festival”, MAP Magazine, #47: The Body is a Fiction (Glasgow, 2018)
“Flashing Green: Notes on Post-Nature, the 11th Taipei Biennial”, Videoclub (2018)
“‘DO YOU REALLY JUST WANT TO BE PART OF A BAND?’: Notes from the 14th Berwick Film & Media Arts Festival”, MAP Magazine, #47: The Body is a Fiction (Glasgow, 2018)
2017
“Live action allegory construction, edited” in Curatorial Studio, Living Out Ideas (Glasgow, 2017), available at Good Press