https://marcusjack.com Marcus Jack Fri, 09 May 2025 12:10:09 +0000 https://marcusjack.com en https://marcusjack.com/Menu Mon, 12 Jul 2021 20:11:43 +0000 Marcus Jack https://marcusjack.com/Menu About Curating Writing Talks Design Transit Arts︎︎︎︎ https://marcusjack.com/About Tue, 16 Mar 2021 15:00:59 +0000 Marcus Jack https://marcusjack.com/About ︎ MARCUS JACK is a curator and writer based in Glasgow. His research looks for counternarratives in visual culture through analyses of statehood, socio-economics and political identity, with a particular emphasis on artists’ film. He also collaborates with artists, filmmakers and organisations on print and digital design. Marcus is Director of Outreach (Art) and Lecturer in Contemporary Art Theory at the University of Edinburgh (2025–). Previously, he held academic roles at the University of Exeter (2023–2025), The Glasgow School of Art (2023), and was a visiting researcher with the Archive/Counter-Archive project at York University, Toronto (2022). Marcus developed screening programmes and publications through Transit Arts (2015–2025) and was the founding editor of DOWSER (2020–2024), an open-access serial concerning artists’ moving image in Scotland. He was a Trustee of Offline SCIO (2020–2025), advised on the Steering Group of the British Art Network (Tate and Paul Mellon Centre, 2019–2022) and submissions panels of Glasgow Short Film Festival (2016–2021) and Open City Documentary Festival, London (2019–2021). ︎: marcusfjack [at] gmail [dot] com ︎ <img width="2938" height="3673" width_o="2938" height_o="3673" data-src="https://freight.cargo.site/t/original/i/e4447aeb97357546bec3efd4866fa6ad7fdf2f1d415ba838cebfea713cd3e668/2026-Roma-00001portrait.jpg" data-mid="247240504" border="0" data-scale="89" data-no-zoom src="https://freight.cargo.site/w/1000/i/e4447aeb97357546bec3efd4866fa6ad7fdf2f1d415ba838cebfea713cd3e668/2026-Roma-00001portrait.jpg" />© 2026 https://marcusjack.com/Curating Wed, 17 Mar 2021 09:33:10 +0000 Marcus Jack https://marcusjack.com/Curating <img width="980" height="742" width_o="980" height_o="742" data-src="https://freight.cargo.site/t/original/i/3c9081bb628d3ad99b7b75c7602cbb680248c03643f6ccc8f1f2d8df670256fa/glasser1.png" data-mid="159130023" border="0" data-no-zoom src="https://freight.cargo.site/w/980/i/3c9081bb628d3ad99b7b75c7602cbb680248c03643f6ccc8f1f2d8df670256fa/glasser1.png" />Lutz Mommartz, 3 Gläser, 1967. Courtesy of the artist. CURATING Views on Scotland I, II, IIIVideoex, Zürich16–25 May 2025 Three-part survey of artists’ film and video from Scotland for Videoex Festival 2025, featuring works on madness, deviance and gender that address the rift between popular myth and private reality in the stateless nation. Including contributions from Enrico Cocozza, Henry Coombes, Louise Crawford, Luke Fowler, Winnie Herbstein, Shaz Kerr, Eddie McConnell, Mandy McIntosh, Rhona Mühlebach, Annabel Moodie, Charlie Prodger, Margaret Salmon, Gillian Steel, Camara Taylor, and Ann Vance. British Art after BritainBritish Art Network Annual Conference, Kelvin Hall, Glasgow 24–25 November 2023 As questions about statehood, democracy and (dis)unity rise anew in the year of a Coronation, British Art after Britain reflects on the cultural legacy of devolution since the historic moment of the Good Friday Agreement and founding of parliaments in Scotland, Northern Ireland and Wales. This two-day event is guest convened by Marcus Jack for the British Art Network (Tate &amp; Paul Mellon Centre). CINEMA DESPITE Festival: Reviewing artists’ film and video in ScotlandTramway, Glasgow1–3 September 2023 Featuring the contribution of twenty-nine artists, filmmakers and collectives working across a seventy year period, CINEMA DESPITE attempts to expand and trouble an underexposed history of artist’ film and video in Scotland. Organised into five transhistorical programmes, this one-off festival features film, video and sound by&nbsp;Maureen Blackwood, Roddy Buchanan, Enrico Cocozza, Henry Coombes, Anne-Marie Copestake, Cranhill Films, Malcolm Dickson, Graham Fagen, Luke Fowler, David Hall, Lesley Keen, Shaz Kerr, Tamara Krikorian, Mandy McIntosh, Lutz Mommartz, Ewan Morrison, Rosalind Nashashibi, Pratibha Parmar, Pictorial Heroes, Charlotte Prodger, Margaret Salmon, Jon Schorstein, SMITH/STEWART, Maud Sulter, Alia Syed, Tako Taal, Margaret Tait, Camara Taylor, and Ann Vance. If you know, you know Alchemy Film &amp; Arts, online screening programme 18–21 February 2021 Film, video and animation made in Scotland between 1970 and 2020 by Lutz Mommartz, Lesley Keen, Alia Syed, Margaret Tait, Roddy Buchanan, Mandy McIntosh and Jasleen Kaur. Accompanied by a roundtable on the conditions of producing and exhibiting artists’ moving image in Scotland with speakers including Marcus Jack, Moira Jeffrey (Director, SCAN), Kitty Anderson (Director, LUX Scotland) and Michael Pattison (Co-Director, Alchemy Film &amp; Arts), viewable here. The Territorial Sea Document Human Rights Film Festival 2018, Glasgow 1 December 2018 A programme of recent artists’ moving image featuring stories of struggle from sovereign waters. Works by Taus Makhacheva, Forensic Oceanography, and Francisco Rodríguez document tragic maritime passages, variously pointing to the cultures of spectacle, neglect, and cruelty which permit ongoing catastrophe. Dioramas Mycelia Publication Launch, The Glad Café, Glasgow 26 October 2018 Two films by Karen Russo and Patrick Hough which centre the re-enactment of mythologised landscapes by modernist campaigns. Looking In, Looking Out Northlight Gallery, Stromness 3–15 November 2018 An installation of Margaret Tait’s silent films which study the interiors and exteriors connected to her life and travels in Kirkwall, Edinburgh and Rome. Beyond Cataclysm Projections at Tyneside Cinema, Newcastle upon Tyne 20 July 2018 Visualising the return of nature and the disappearance of the body, this programme excavates the ruins of modernity: its architectures, colonial past, and enduring psychic residues. Films by Matthias Müller, Jon Schorstein, Emily Richardson, Fern Silva, Ben Rivers and Jorge Jácome. Performance by Michelle Hannah. Text commission from Simone Hutchinson, founder of Hedera Felix Press. How to Thrive Radical Film Network 1968 Festival, CCA Glasgow 27 May 2018 Life for social groups on the margins in three videos spanning forty years by James O’Brien, Deborah Stratman and Liz Rosenfeld. Amie Siegel: DDR/DDR Radical Film Network 1968 Festival, Goethe-Institut 24 May 2018 Screening of Amie Siegel’s feature-length visual essay DDR/DDR (2008) with an introduction from Professor Laura Bradley, Chair of German and Theatre at the University of Edinburgh. Soft Cells Glasgow Short Film Festival 2018, Civic House, Glasgow 15 March 2018 A programme about soft bodies in hard places, film, video and text works by Klaus vom Bruch, Christoph Girardet &amp; Matthias Müller, Tessa Lynch, Amie Siegel and Fern Silva surveil the eerie control of urban life. Uncanny Loop: The Bird with the Crystal PlumageCCA Glasgow 8 September 2017 The first giallo film directed by Italian horror pioneer Dario Argento, preceded by a 16mm short by artist-filmmaker Emily Richardson. The screening was accompanied by a limited edition print made in collaboration with writer and editor Denise Bonnetti. Uncanny Loop: New Habitats Glasgow Film Theatre 27 August 2017 Films by artists Deborah Stratman, Yuri Pattison, Morwenna Kearsley, Emily Richardson and Jon Schorstein describe a reconstituted form of eeriness embedded within our metropolitan sites of work and leisure that purport to offer security, individualism and hermetic living. Lutz Mommartz: The breath of the sheep and the sea is infinitely beautiful CCA Glasgow 26 January 2017 The first comprehensive survey of Düsseldorf-based experimental filmmaker Lutz Mommartz in the UK, including an introduction from Marcus Jack, a newly commissioned performance responding to the archive from Berlin and Glasgow-based artist Carrie Skinner, Q&amp;A with filmmaker Lutz Mommartz, and accompanied by a limited-edition print newspaper. SAOTHAIR ATLAS Arts, Isle of Skye 29–30 April 2016 A screening programme installed in public space during Skye Live 2016. Archival films and recent moving image by Scottish Educational Film Association (SEFA), Nick Hand, Oliver Mezger, Margaret Salmon, Margaret Tait and Robin Haig were framed within the two definitions of the Gaelic term saothair: labour or toil—particularly of the hand—and the tidal causeway—natural paths which disappear and return in cycles. Accompanied by a new publication including contributions from Marcus Jack, Finola Scott, Sarah Browne, Sarah Neely,&nbsp;Margaret Salmon and Margaret Tait. TRANSIT #3: and everything crooked will become straight Glasgow Short Film Festival 2016, Peña, The Glad Cafe and CCA Glasgow 17–19 March 2016 Artists’ films which transgress the dominant narrative form, bending, rearranging and rewriting the record, including work by Dorine Aguerre, Miles Joseph, Lucie Rachel, Jane Topping and&nbsp;Josie Rae Turnbull. Screened outdoors, from the back of a van. Accompanied by a new&nbsp;publication&nbsp;including contributions from&nbsp;Marcus Jack, Denise Bonetti, Jane Topping and Stephen Nelson. TRANSIT #2: The lens is a lyric Southside Film Festival, Glasgow 10 October 2015 Three films by Jen Martin, Chris Bowman and Andy Mackinnon which adopt poetic techniques to trace changing rhythms across the self, the city and further afield. Screened outdoors, from the back of a van. TRANSIT #1: The Economy Experience The Pipe Factory and CCA Glasgow 30 August, 11 &amp; 18 September 2015 Moving image works by Caroline Campbell, Common Culture, Dennis &amp; Debbie Club, Jean-Baptiste Maitre and Will Kendrick which negotiate the adventure of consumption today, in the era of the experience economy. Screened outdoors, from the back of a van. Accompanied by a new publication featuring fiction and essay writing, photography and digital images, with contributions from Marcus Jack, Ewan Morrison, Graham Ramsay, Common Culture, Bram E. Gieben, Lucy Sykes, Dennis &amp; Debbie Club and Will Kendrick. The only way to do it is to do itHunterian Art Gallery, Glasgow 27 March 2015 – 13 March 2016 Black Mountain College was a progressive liberal arts college, active between 1933 and 1957. This exhibition revisited its experimental practices and legacy through Post-War American prints from The Hunterian’s permanent collection, including Josef Albers, John Cage, Willem de Kooning, Robert Motherwell, and Ossip Zadkine, alongside new work by contemporary practitioners Raydale Dower, G.O.D.S. and Ciara Phillips. https://marcusjack.com/Writing Wed, 17 Mar 2021 09:42:42 +0000 Marcus Jack https://marcusjack.com/Writing <img width="1178" height="900" width_o="1178" height_o="900" data-src="https://freight.cargo.site/t/original/i/ee3ae64cd33a39dbe5f134a37c318e469a83951fd6e16f147708b2f8d22c47fe/pas.jpeg" data-mid="227591243" border="0" src="https://freight.cargo.site/w/1000/i/ee3ae64cd33a39dbe5f134a37c318e469a83951fd6e16f147708b2f8d22c47fe/pas.jpeg" /> Norman McLaren, Pas de deux, 1968. National Film Board of Canada. See “Norman McLaren, Pas de deux (1968)”.&nbsp; WRITING Ongoing Editor of DOWSER, notes on artists’ moving image in Scotland (Transit Arts, 2020–) 2026 “If you see something that doesn’t look right: On David Sherry’s Pointless Sub-Thought (2025)”, Escape Artist Setlist (Good Press, 2026) 2025 “A Poor Man’s Avant-Garde: The counterhistories of Scotland’s contingent artists’ film”, Moving Image Review and Art Journal,&nbsp;Vol. 14, No. 1 (April 2025): 30–50. 2024 “Norman McLaren, Pas de deux (1968)”, CanadARThistories: Reimagining the Canadian Art History Survey, edited by Alena Buis, Johanna Amos, Sarah E.K. Smith, Elizabeth Anne Cavaliere, Devon Smither, and Jen Kennedy (eCampus Ontario, 2024) “Notes on Perception (looking out for a place to go)”,&nbsp;Bobbi Cameron and Owain Train McGilvary: I’m attended as a portal myself, Glasgow International, 2024 2023 “Ruinous Collage: Lis Rhodes’ political archivism”, Unravelling Times, The Hunterian Art Gallery (2023) 2022 “Cruising Oblivion: Tim Leyendekker’s Feast (2021)”, Square Eyes (2022) “Mandy McIntosh’s Fair Creature (2004)”, contribution to the British Art UnCanon (2022) “Tree Huggers, Space Cadets: Conversations with a Forest and non-human collectivity”, MIMC 001 (Moving Image Makers Collective, 2022) 2021 “An artery: on Anne Marie-Copestake’s A love (2019)”, LUX Scotland (2021) “On Some Conditions Facing an Early Career Curator”, British Art Network January 2021 Newsletter, Paul Mellon Centre &amp; Tate (2021) 2020 “Stemming the Flow: The Lake and The Lake / Land Underwater”, Open City Documentary Festival (2020) “Seizing the means of projection: thirty years of artists’ moving image exhibition in Glasgow”, MAP Magazine, #56: Staying Close (2020) “What good is sitting, alone in your room?: Black box, white cube, and the grey zone of artists’ moving image”, Institute of Contemporary Arts (2020) 2019 “AGAINST DIALOGUE, OR, WE NEED TO SING TO MOUNTAINS: Notes from the 15th Berwick Film &amp; Media Arts Festival”, MAP Magazine, #54: …Beneath High Libra (2019) 2018 “Dark Chambers, Fever Dreams: Artists’ Moving Image and the Gothic Landscape”, MAP Magazine, #48: Together We Will Have A Lot of Fun (2018) “Flashing Green: Notes on Post-Nature, the 11th Taipei Biennial”, Videoclub (2018) “‘DO YOU REALLY JUST WANT TO BE PART OF A BAND?’: Notes from the 14th Berwick Film &amp; Media Arts Festival”, MAP Magazine, #47: The Body is a Fiction (2018) 2017 “Live action allegory construction, edited” in Curatorial Studio, Living Out Ideas (2017), available at Good Press https://marcusjack.com/Talks Wed, 24 Mar 2021 11:51:55 +0000 Marcus Jack https://marcusjack.com/Talks <img width="2000" height="1596" width_o="2000" height_o="1596" data-src="https://freight.cargo.site/t/original/i/553f095558bce819521b4fdcb298409c0acb7ac8f87290037734c0f1709fc197/inTheWoods_reduced.jpg" data-mid="159135501" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/553f095558bce819521b4fdcb298409c0acb7ac8f87290037734c0f1709fc197/inTheWoods_reduced.jpg" /> Production artwork from Lesley Keen,&nbsp;Taking a Line for a Walk, 1983. Courtesy of the artist. TALKS 2025 Spoiled Artists: Rethinking the compromise of discreditable artists for queer counter-histories, Social Science Frameworks for Looking at Art since 1960, Association for Art History Annual Conference, University of York (10 April 2025) 2024 Host, writer and programmer of Art after Devolution, three-part podcast series for the British Art Network. Guests include: Maria Fusco, Ursula Burke, Michelle Hannah, Abigail Gilmore, Sepake Angiama (iniva), Beth Bate (DCA), Nigel Prince (Artes Mundi) and Kirsteen Macdonald; music by Comfort&nbsp;(November 2024) Printed Forms: Publishing and Experimental Moving Image, Open City Documentary Festival (25 April 2024) 2023 Poor Modernism: The counternarratives of Scotland's contingent artists' film, New Voices in Irish and Scottish Studies,&nbsp;Research Institute of Irish and Scottish Studies, University of Aberdeen (24 October 2023) Revisiting Norman McLaren: Complicity and Subterfuge, Against the Nation: Rethinking Canadian Art History in the World, Association for Art History Annual Conference, University College London (12 April 2023) 2022 Malcolm Dickson &amp; Marcus Jack, GoMA at 25 Podcast, Glasgow Museums (10 June 2022) Peripherality and its Consequences: The Counternarratives of Artists' Filmmaking in Scotland (and elsewhere), Working Paper Series, Archive/Counter Archive (8 March 2022) Channel Crossing: artists’ moving image from Scotland and the European network, 1986–1996,&nbsp;Scotland in Europe – Cultural Connections, 1939 to the Present, National Galleries Scotland / University of Edinburgh (25 February 2022) 2021 Films on Art: artistic innovation and the art-film dilemma in 1970s Scotland, The Big Screen: Art History and British Cinema, Association for Art History Annual Conference / University of Birmingham (15 April 2021) Roundtable:&nbsp;On the condition of producing and exhibiting artists’ moving image in Scotland, with Kitty Anderson, Marcus Jack, Moira Jeffrey and Michael Pattison, Alchemy Film &amp; Arts (18 February 2021) 2020 Episode 25: Transit Arts, Into the Mothlight Podcast Group Show w/ Marcus Jack, Subcity Radio (27 April 2020) “We never ever paid an electricity bill”: a DIY history of artists’ moving image exhibition in Scotland, Encounters Symposium, University of Dundee (13 March 2020) 2019 Towards an exhibitionary history of artists’ moving image in Scotland since the 1990s, The 29th International Screen Studies Conference, University of Glasgow (29 June 2019)2018 Mapping a history of artists’ moving image in Scotland, PhD symposium, The Glasgow School of Art (4 December 2018) https://marcusjack.com/Design Wed, 17 Mar 2021 10:12:12 +0000 Marcus Jack https://marcusjack.com/Design <img width="1884" height="1880" width_o="1884" height_o="1880" data-src="https://freight.cargo.site/t/original/i/dc0a0659ed37de57e2cc13c8b049f9de2292e060820b4b07e650467002adcc04/img20210317_19480667.png" data-mid="102387767" border="0" data-scale="54" data-no-zoom src="https://freight.cargo.site/w/1000/i/dc0a0659ed37de57e2cc13c8b049f9de2292e060820b4b07e650467002adcc04/img20210317_19480667.png" /> DESIGN I collaborate with artists, filmmakers and organisers on digital and print projects including film titles and credits, artist books, posters, newspapers, zines and merchandise. Working across analogue, digital and risograph processes, my design practice draws upon wide-ranging historical references. Available for commissions. Contact via marcusfjack [at] gmail [dot] com <img width="6567" height="4800" width_o="6567" height_o="4800" data-src="https://freight.cargo.site/t/original/i/d2b36acae21407d5973b65d8200784d2610af9ef5d9d0158c96db75dd0c046e8/BBtitle-1-01.png" data-mid="227589828" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/d2b36acae21407d5973b65d8200784d2610af9ef5d9d0158c96db75dd0c046e8/BBtitle-1-01.png" /> <img width="2850" height="3490" width_o="2850" height_o="3490" data-src="https://freight.cargo.site/t/original/i/bedb1ef43fe40daa5fdc83590773e17e553f56a8c9692ee485b4e9b6297418b7/20180413_204303bw.jpeg" data-mid="102306096" border="0" src="https://freight.cargo.site/w/1000/i/bedb1ef43fe40daa5fdc83590773e17e553f56a8c9692ee485b4e9b6297418b7/20180413_204303bw.jpeg" /> <img width="16000" height="12000" width_o="16000" height_o="12000" data-src="https://freight.cargo.site/t/original/i/b4886e74b3848295e04a8d6274f1a6bde240129bc5b3f66c4ea9c8820e096860/AKOGAM-credits-1-01.jpg" 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data-src="https://freight.cargo.site/t/original/i/5200f1ece0e6ac2044f775eca72235aa9d25d126f1c110b365387914fdc33296/img20210317_19450870.png" data-mid="102565296" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/5200f1ece0e6ac2044f775eca72235aa9d25d126f1c110b365387914fdc33296/img20210317_19450870.png" /> https://marcusjack.com/On-Weaving Fri, 09 May 2025 12:10:09 +0000 Marcus Jack https://marcusjack.com/On-Weaving <img width="6567" height="4800" width_o="6567" height_o="4800" data-src="https://freight.cargo.site/t/original/i/5be5946d965d9c4118ce794dae2ecc0514105a1e925c5f089d65c890fec53bca/OWtitle-1v10-01-FINAL.png" data-mid="232994208" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/5be5946d965d9c4118ce794dae2ecc0514105a1e925c5f089d65c890fec53bca/OWtitle-1v10-01-FINAL.png" /> <img width="3000" height="3750" width_o="3000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/07481f62a1154db4c6b8d59011492e16e62415c0de5707de3f40ee759569f5f9/20250509_112638.jpg" data-mid="232994239" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/07481f62a1154db4c6b8d59011492e16e62415c0de5707de3f40ee759569f5f9/20250509_112638.jpg" /> <img width="6567" height="4800" width_o="6567" height_o="4800" data-src="https://freight.cargo.site/t/original/i/d71376d43e3fc3773826d93c156fe8e5fba3b2304ce23a03722057132d3034e2/OWcredits-9-01.png" data-mid="232994245" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/d71376d43e3fc3773826d93c156fe8e5fba3b2304ce23a03722057132d3034e2/OWcredits-9-01.png" /> <img width="6567" height="4800" width_o="6567" height_o="4800" data-src="https://freight.cargo.site/t/original/i/b85e3ce16d2e7ee91bb59324e38a1f8d83eb3819ac84a1abf524dffceaad2d69/OWcredits-11-01.png" data-mid="232994210" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/b85e3ce16d2e7ee91bb59324e38a1f8d83eb3819ac84a1abf524dffceaad2d69/OWcredits-11-01.png" /> <img width="2409" height="3011" width_o="2409" height_o="3011" data-src="https://freight.cargo.site/t/original/i/93b6a663973f368c780c020454406628a1aaa2655ccf20ed409af4abb2c7eb8f/20250509_112511.jpg" data-mid="232994211" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/93b6a663973f368c780c020454406628a1aaa2655ccf20ed409af4abb2c7eb8f/20250509_112511.jpg" /> <img width="2882" height="3602" width_o="2882" height_o="3602" data-src="https://freight.cargo.site/t/original/i/f4312030795cd27c3005a8876bd1b7704f05d5113d0fb9cd52ab020d3a2bf3cb/20250509_112617.jpg" data-mid="232994212" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/f4312030795cd27c3005a8876bd1b7704f05d5113d0fb9cd52ab020d3a2bf3cb/20250509_112617.jpg" /> Title design, credits and accompanying publication for Luke Fowler and Corin Sworn’s film On Weaving (2025), commissioned by Alchemy Film &amp; Arts. https://marcusjack.com/CINEMA-DESPITE Sat, 01 Jun 2024 08:49:12 +0000 Marcus Jack https://marcusjack.com/CINEMA-DESPITE <img width="3334" height="3334" width_o="3334" height_o="3334" data-src="https://freight.cargo.site/t/original/i/d5532448b25ca1eabc898dd0e011ea191f9d6092f90be9e8721dee51a229508b/Lead-image.jpg" data-mid="212133835" border="0" src="https://freight.cargo.site/w/1000/i/d5532448b25ca1eabc898dd0e011ea191f9d6092f90be9e8721dee51a229508b/Lead-image.jpg" /><img width="3334" height="2500" width_o="3334" height_o="2500" data-src="https://freight.cargo.site/t/original/i/6efd14c7a97a7d6d0a9600f218d195b33464d4f191cd864d471c72acd99bf115/save-the-date.jpg" data-mid="212133834" border="0" src="https://freight.cargo.site/w/1000/i/6efd14c7a97a7d6d0a9600f218d195b33464d4f191cd864d471c72acd99bf115/save-the-date.jpg" /><img width="3334" height="3334" width_o="3334" height_o="3334" data-src="https://freight.cargo.site/t/original/i/ec565f6fc704e6454f5fe52f0f9c694b56e809057268640e54d565526be1f056/Artist-list.jpg" data-mid="212133838" border="0" src="https://freight.cargo.site/w/1000/i/ec565f6fc704e6454f5fe52f0f9c694b56e809057268640e54d565526be1f056/Artist-list.jpg" /><img width="3334" height="3334" width_o="3334" height_o="3334" data-src="https://freight.cargo.site/t/original/i/9d6da6a7e82011671489b17342d968c79d68277c9ba67de1bb2e1bfb5958fe44/Writer-list.jpg" data-mid="212133837" border="0" src="https://freight.cargo.site/w/1000/i/9d6da6a7e82011671489b17342d968c79d68277c9ba67de1bb2e1bfb5958fe44/Writer-list.jpg" />Digital assets for CINEMA DESPITE: reviewing artists’ film and video from Scotland (Tramway, 2024).&nbsp;Designed by Marcus Jack. https://marcusjack.com/I-m-attended-as-a-portal-myself Sat, 01 Jun 2024 08:44:38 +0000 Marcus Jack https://marcusjack.com/I-m-attended-as-a-portal-myself <img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/523df69007d37dc9cec8a84159ecde71d445485d17a5944b9f86bd720bb4a162/Portal-Poster---Digital-small.png" data-mid="212133809" border="0" src="https://freight.cargo.site/w/1000/i/523df69007d37dc9cec8a84159ecde71d445485d17a5944b9f86bd720bb4a162/Portal-Poster---Digital-small.png" /><img width="7015" height="4960" width_o="7015" height_o="4960" data-src="https://freight.cargo.site/t/original/i/dcaef20881c1faede1e2ef34db1b595996b2b722b7b815802f96c979c408f196/Portal-Poster---Digital.png" data-mid="212133810" border="0" src="https://freight.cargo.site/w/1000/i/dcaef20881c1faede1e2ef34db1b595996b2b722b7b815802f96c979c408f196/Portal-Poster---Digital.png" /> Poster and publication published on the occasion of Bobbi Cameron and Owain Train McGilvary’s exhibition I'm attended as a portal myself (Glasgow International, 2024). Designed by Marcus Jack.Poster / PublicationDouble-sided digital print420 x 594mmEdition of 500 https://marcusjack.com/Notes-from-a-Low-Orbit Thu, 23 Jun 2022 19:24:25 +0000 Marcus Jack https://marcusjack.com/Notes-from-a-Low-Orbit <img width="1267" height="713" width_o="1267" height_o="713" data-src="https://freight.cargo.site/t/original/i/50490a9eba35522d78719492ac36e14fbad21439685234da0a150d4bd11386ef/01_1.2lowres.jpg" data-mid="146238690" border="0" src="https://freight.cargo.site/w/1000/i/50490a9eba35522d78719492ac36e14fbad21439685234da0a150d4bd11386ef/01_1.2lowres.jpg" /> <img width="1267" height="713" width_o="1267" height_o="713" data-src="https://freight.cargo.site/t/original/i/f6ad088c52f3789dbb7053d212f731defec09019d3c657fc8806c0a624d02070/03_1.2lowres.jpg" data-mid="146238693" border="0" src="https://freight.cargo.site/w/1000/i/f6ad088c52f3789dbb7053d212f731defec09019d3c657fc8806c0a624d02070/03_1.2lowres.jpg" /> <img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/127c9827831cadadb838090837c4abe2273b90a77a9e615a1ca87e1e04e86a57/20220612_154401ed.jpg" data-mid="146238549" border="0" src="https://freight.cargo.site/w/1000/i/127c9827831cadadb838090837c4abe2273b90a77a9e615a1ca87e1e04e86a57/20220612_154401ed.jpg" /> <img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/803d77f9bd6fc17375f7d2207d67d2f63c87030bb8978199abe53ff5ced5f003/20220612_154331ed.jpg" data-mid="146238547" border="0" src="https://freight.cargo.site/w/1000/i/803d77f9bd6fc17375f7d2207d67d2f63c87030bb8978199abe53ff5ced5f003/20220612_154331ed.jpg" /> <img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/f7bd7927455c666ae98318debd3f92e01d394f7c1704ce884808fdcc90658cc6/20220612_154233ed.jpg" data-mid="146238516" border="0" src="https://freight.cargo.site/w/1000/i/f7bd7927455c666ae98318debd3f92e01d394f7c1704ce884808fdcc90658cc6/20220612_154233ed.jpg" /> Title design, credits and accompanying publication for Mark Lyken’s feature film&nbsp;Notes from a Low Orbit (2022), commissioned by Alchemy Film &amp; Arts.